AEsthetic Analysis |
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Pagina 35
We abstract elements simply by choosing details found in the object of our
attention ; these are abstracted from the rest of it . Moreover , there are
distinguishable aspects of objects which cannot be concretely presented alone .
What we call ...
We abstract elements simply by choosing details found in the object of our
attention ; these are abstracted from the rest of it . Moreover , there are
distinguishable aspects of objects which cannot be concretely presented alone .
What we call ...
Pagina 37
various aspects of the actual road this bare abstract measure of distance . But
obviously enough the length of a road is not separable from its actual being . It is
just because we have abstracted for our purpose exactly what remains concretely
a ...
various aspects of the actual road this bare abstract measure of distance . But
obviously enough the length of a road is not separable from its actual being . It is
just because we have abstracted for our purpose exactly what remains concretely
a ...
Pagina 110
Granted all that has just been said about temporal pattern ; how far does such an
abstract simplified scheme help to make clear the nature of verse structure ?
What have such measure and number as this to do with the pulsing movement ...
Granted all that has just been said about temporal pattern ; how far does such an
abstract simplified scheme help to make clear the nature of verse structure ?
What have such measure and number as this to do with the pulsing movement ...
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abstract accent actual adequate ęsthetic analysis appears apply apprehended artists aspects attention basic basis become body called character characteristic clear clearly color complex concrete conscious constitute counts course criticism defined definitely determinate direct directly discriminating distinct distinguished division Dominant duration effect elements example exhibited experience expressive fact familiar feeling felt field formal function fundamental give given grasp grouping hence human indicated individual intelligible intensity interest intervals intrinsic involved knowledge least length less LIBRARY limited mark matter means measure merely nature notes object obvious octave once organism particular physical pitch possible present processes qualitative range relations relevant response rhythm scale scheme selected sense sensuous simply single sort sound spatial specific structure surface systematic taken temporal pattern things tion Tonic UNIVERSITY OF CALIFORNIA variations various verse vibration whole