AEsthetic AnalysisThomas, Y. Crowell, 1936 - 211 pagine |
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Risultati 1-3 di 49
Pagina 35
... abstract and called abstractions ; though we are likely to forget how familiarly we are acquainted with exactly this sort of thing in all of our thinking . We do not find color separated from what is colored , and no one is worried by ...
... abstract and called abstractions ; though we are likely to forget how familiarly we are acquainted with exactly this sort of thing in all of our thinking . We do not find color separated from what is colored , and no one is worried by ...
Pagina 37
... abstract analysis , selecting only its length , is use- ful to us . But it is only too plain that we may abstract the wrong features for any given purpose . If , in the case of the road , we wanted to complete mileage figures on a map ...
... abstract analysis , selecting only its length , is use- ful to us . But it is only too plain that we may abstract the wrong features for any given purpose . If , in the case of the road , we wanted to complete mileage figures on a map ...
Pagina 110
... abstract temporal aspect of actually changing qualitative content , from which it is distinguished as temporal order . Obviously it is no more independent of changing and moving things than pitch is independent of sounds ; and obviously ...
... abstract temporal aspect of actually changing qualitative content , from which it is distinguished as temporal order . Obviously it is no more independent of changing and moving things than pitch is independent of sounds ; and obviously ...
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absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic theory apply apprehended artists asthetic attention basic Berkeley Berkeley blank verse CALIFORNIA LIBRARY called character characteristic clear clearly color variations complex concrete conscious constitute cretely criticism defined definitely degree determinate dimension directly discerned discriminating distinct distinguished Dominant duration elements English poetry exhibited experience expressive fact familiar feeling felt formal function fundamental give grasp hence human human voice iambic pentameter iambs indicated intelligible intrinsic knowledge length means Mediant merely musical scale nature notes obvious octave particular perception physical pitch intervals pitch pattern pitch relations Polyclitus present processes qualitative orders relevant rhythmical scale scheme selected sense sensory sensuous serial orders simply sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees UNIVERSITY OF CALIFORNIA vibration rate whole words