AEsthetic Analysis |
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Pagina 106
Monosyllables are accented or not , but again in accordance with the exigencies
of significance ; though either relatively heavy or relatively light accent is often
possible on the same monosyllable in the same context without offensive
distortion ...
Monosyllables are accented or not , but again in accordance with the exigencies
of significance ; though either relatively heavy or relatively light accent is often
possible on the same monosyllable in the same context without offensive
distortion ...
Pagina 116
This blurs the actual function of accent for indicating time divisions , and at the
same time neglects those measured durations without which no temporal rhythm
is possible . When such a scheme as this is put into terms suitable only to a ...
This blurs the actual function of accent for indicating time divisions , and at the
same time neglects those measured durations without which no temporal rhythm
is possible . When such a scheme as this is put into terms suitable only to a ...
Pagina 126
lines of poetry , the fact is taken into account that once a temporal pattern has
been clearly defined to sense , only strikingly displaced accent prevents its being
discerned as continuing in the form established . Typically trochaic verse , so ...
lines of poetry , the fact is taken into account that once a temporal pattern has
been clearly defined to sense , only strikingly displaced accent prevents its being
discerned as continuing in the form established . Typically trochaic verse , so ...
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abstract accent actual adequate ęsthetic analysis appears apply apprehended artists aspects attention basic basis become body called character characteristic clear clearly color complex concrete conscious constitute counts course criticism defined definitely determinate direct directly discriminating distinct distinguished division Dominant duration effect elements example exhibited experience expressive fact familiar feeling felt field formal function fundamental give given grasp grouping hence human indicated individual intelligible intensity interest intervals intrinsic involved knowledge least length less LIBRARY limited mark matter means measure merely nature notes object obvious octave once organism particular physical pitch possible present processes qualitative range relations relevant response rhythm scale scheme selected sense sensuous simply single sort sound spatial specific structure surface systematic taken temporal pattern things tion Tonic UNIVERSITY OF CALIFORNIA variations various verse vibration whole