AEsthetic AnalysisThomas, Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 21
Pagina 15
... acquaintance with works of art , and hence with the nature of art in general . An example or two will suffice to illustrate this de- pendence of full acquaintance with an aesthetic surface or object upon the discriminating of such ...
... acquaintance with works of art , and hence with the nature of art in general . An example or two will suffice to illustrate this de- pendence of full acquaintance with an aesthetic surface or object upon the discriminating of such ...
Pagina 174
... acquaintance with content and structure as actually presented through sense . All this is of very special or of very great importance because in art , and in the æsthetic aspects of nature , such general acquaintance al- lows a fuller ...
... acquaintance with content and structure as actually presented through sense . All this is of very special or of very great importance because in art , and in the æsthetic aspects of nature , such general acquaintance al- lows a fuller ...
Pagina 181
... acquaintance with works of art and the nature of art in general . What we require is a prior acquaintance with the more fundamental lower - level patterns discriminated and familiarized by perceptual training , elementary spatial ...
... acquaintance with works of art and the nature of art in general . What we require is a prior acquaintance with the more fundamental lower - level patterns discriminated and familiarized by perceptual training , elementary spatial ...
Altre edizioni - Visualizza tutto
Parole e frasi comuni
absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic theory apply apprehended artists asthetic attention basic Berkeley Berkeley blank verse CALIFORNIA LIBRARY called character characteristic clear clearly color variations complex concrete conscious constitute cretely criticism defined definitely degree determinate dimension directly discerned discriminating distinct distinguished Dominant duration elements English poetry exhibited experience expressive fact familiar feeling felt formal function fundamental give grasp hence human human voice iambic pentameter iambs indicated intelligible intrinsic knowledge length means Mediant merely musical scale nature notes obvious octave particular perception physical pitch intervals pitch pattern pitch relations Polyclitus present processes qualitative orders relevant rhythmical scale scheme selected sense sensory sensuous serial orders simply sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees UNIVERSITY OF CALIFORNIA vibration rate whole words