AEsthetic AnalysisThomas, Y. Crowell, 1936 - 211 pagine |
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Risultati 1-3 di 45
Pagina 37
David Wight Prall. various aspects of the actual road this bare abstract meas- ure of distance . But obviously enough the length of a road is not separable from its actual being . It is just because we have abstracted for our purpose ...
David Wight Prall. various aspects of the actual road this bare abstract meas- ure of distance . But obviously enough the length of a road is not separable from its actual being . It is just because we have abstracted for our purpose ...
Pagina 142
... Actual qualitative content is always felt directly , not merely discriminated and labeled ; and it is felt with some degree , however slight , of affective interest . There is no concrete datum that is absolutely indifferent , because ...
... Actual qualitative content is always felt directly , not merely discriminated and labeled ; and it is felt with some degree , however slight , of affective interest . There is no concrete datum that is absolutely indifferent , because ...
Pagina 184
... actual constituting of the feeling deter- minately , the artist uses sensuous elements with a con- sciousness of their intrinsic relations and their structural possibilities , he cannot even be controlling the æsthetic structure he ...
... actual constituting of the feeling deter- minately , the artist uses sensuous elements with a con- sciousness of their intrinsic relations and their structural possibilities , he cannot even be controlling the æsthetic structure he ...
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absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic theory apply apprehended artists asthetic attention basic Berkeley Berkeley blank verse CALIFORNIA LIBRARY called character characteristic clear clearly color variations complex concrete conscious constitute cretely criticism defined definitely degree determinate dimension directly discerned discriminating distinct distinguished Dominant duration elements English poetry exhibited experience expressive fact familiar feeling felt formal function fundamental give grasp hence human human voice iambic pentameter iambs indicated intelligible intrinsic knowledge length means Mediant merely musical scale nature notes obvious octave particular perception physical pitch intervals pitch pattern pitch relations Polyclitus present processes qualitative orders relevant rhythmical scale scheme selected sense sensory sensuous serial orders simply sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees UNIVERSITY OF CALIFORNIA vibration rate whole words