AEsthetic AnalysisThomas, Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 59
Pagina 11
... æsthetic data at all . And an organism isolated totally from external physical influences would not only not have differentiated experienced content present to it ; it would simply die . An isolated living organism is at most an ...
... æsthetic data at all . And an organism isolated totally from external physical influences would not only not have differentiated experienced content present to it ; it would simply die . An isolated living organism is at most an ...
Pagina 86
... æsthetic content . So far as structural elements in the arts arrive at the degree of familiarity that turns them ... æsthetic character of that which , before it became so familiar , took our attention in a response the ob- ject of which ...
... æsthetic content . So far as structural elements in the arts arrive at the degree of familiarity that turns them ... æsthetic character of that which , before it became so familiar , took our attention in a response the ob- ject of which ...
Pagina 203
... media technically employed . Hence most of the clearly intelligible terms in both analysis and criticism refer as definitely to matters of me- dium and technique as to strictly æsthetic content . The æsthetic content , occurring as it ...
... media technically employed . Hence most of the clearly intelligible terms in both analysis and criticism refer as definitely to matters of me- dium and technique as to strictly æsthetic content . The æsthetic content , occurring as it ...
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absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic theory apply apprehended artists asthetic attention basic Berkeley Berkeley blank verse CALIFORNIA LIBRARY called character characteristic clear clearly color variations complex concrete conscious constitute cretely criticism defined definitely degree determinate dimension directly discerned discriminating distinct distinguished Dominant duration elements English poetry exhibited experience expressive fact familiar feeling felt formal function fundamental give grasp hence human human voice iambic pentameter iambs indicated intelligible intrinsic knowledge length means Mediant merely musical scale nature notes obvious octave particular perception physical pitch intervals pitch pattern pitch relations Polyclitus present processes qualitative orders relevant rhythmical scale scheme selected sense sensory sensuous serial orders simply sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees UNIVERSITY OF CALIFORNIA vibration rate whole words