AEsthetic AnalysisThomas, Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 21
Pagina 8
... ęsthetic absorption , strictly relevant to one object , is at least rare ; the world as exclusively ęsthetic surface is seldom if ever the sole object of our attention . Mr. Dewey has made this out more clearly than any one else ...
... ęsthetic absorption , strictly relevant to one object , is at least rare ; the world as exclusively ęsthetic surface is seldom if ever the sole object of our attention . Mr. Dewey has made this out more clearly than any one else ...
Pagina 53
... surface can not remain merely separate lines . They are necessarily re ... ęsthetic surface as what we usually call sensuous content as distinguished ... ĘSTHETIC ANALYSIS 53.
... surface can not remain merely separate lines . They are necessarily re ... ęsthetic surface as what we usually call sensuous content as distinguished ... ĘSTHETIC ANALYSIS 53.
Pagina 139
... art are concretely experienced presentations of sensory- imaginal content , where a great many aspects come to- gether in a single object or ęsthetic surface . This surface is not a blank qualitative datum , but a coherent structure ...
... art are concretely experienced presentations of sensory- imaginal content , where a great many aspects come to- gether in a single object or ęsthetic surface . This surface is not a blank qualitative datum , but a coherent structure ...
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absolute pitch abstract accent acquaintance actual adequate ęsthetic analysis ęsthetic content ęsthetic objects ęsthetic theory apply apprehended artists asthetic attention basic Berkeley Berkeley blank verse CALIFORNIA LIBRARY called character characteristic clear clearly color variations complex concrete conscious constitute cretely criticism defined definitely degree determinate dimension directly discerned discriminating distinct distinguished Dominant duration elements English poetry exhibited experience expressive fact familiar feeling felt formal function fundamental give grasp hence human human voice iambic pentameter iambs indicated intelligible intrinsic knowledge length means Mediant merely musical scale nature notes obvious octave particular perception physical pitch intervals pitch pattern pitch relations Polyclitus present processes qualitative orders relevant rhythmical scale scheme selected sense sensory sensuous serial orders simply sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees UNIVERSITY OF CALIFORNIA vibration rate whole words