AEsthetic AnalysisThomas, Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 22
Pagina 22
... æsthetic objects , it will be necessary to give , abstractly and more or less systematically , an account of the basis of analysis here suggested as the foundation of æsthetic theory . This will occupy another chapter . But before ...
... æsthetic objects , it will be necessary to give , abstractly and more or less systematically , an account of the basis of analysis here suggested as the foundation of æsthetic theory . This will occupy another chapter . But before ...
Pagina 92
... æsthetic experience but at the best æsthetic theory . Our second point , then , has been that such normal established patterns never constitute the concrete individuality of the form of any work of art . Esthetic experience is its own ...
... æsthetic experience but at the best æsthetic theory . Our second point , then , has been that such normal established patterns never constitute the concrete individuality of the form of any work of art . Esthetic experience is its own ...
Pagina 204
... æsthetic theory that we have followed through is worse than useless unless it is filled out at every point with the actualities it pur- ports to discuss . Esthetics itself is theory , not apprecia- tive æsthetic experience ; but it is ...
... æsthetic theory that we have followed through is worse than useless unless it is filled out at every point with the actualities it pur- ports to discuss . Esthetics itself is theory , not apprecia- tive æsthetic experience ; but it is ...
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absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic theory apply apprehended artists asthetic attention basic Berkeley Berkeley blank verse CALIFORNIA LIBRARY called character characteristic clear clearly color variations complex concrete conscious constitute cretely criticism defined definitely degree determinate dimension directly discerned discriminating distinct distinguished Dominant duration elements English poetry exhibited experience expressive fact familiar feeling felt formal function fundamental give grasp hence human human voice iambic pentameter iambs indicated intelligible intrinsic knowledge length means Mediant merely musical scale nature notes obvious octave particular perception physical pitch intervals pitch pattern pitch relations Polyclitus present processes qualitative orders relevant rhythmical scale scheme selected sense sensory sensuous serial orders simply sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees UNIVERSITY OF CALIFORNIA vibration rate whole words