AEsthetic AnalysisThomas, Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
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Pagina 11
David Wight Prall. of their science , and æstheticians bent on realistic study are likely to speak as if they worked altogether within the limits of psychology . This would be cultivating an im- portant field , no doubt ; but it would be ...
David Wight Prall. of their science , and æstheticians bent on realistic study are likely to speak as if they worked altogether within the limits of psychology . This would be cultivating an im- portant field , no doubt ; but it would be ...
Pagina 83
... æstheticians as well as teachers of the arts , have so neglected both the absolutely essential rôle played by such orders in making up the characteristic quality of particular sorts of com- position in any art , and the specific ...
... æstheticians as well as teachers of the arts , have so neglected both the absolutely essential rôle played by such orders in making up the characteristic quality of particular sorts of com- position in any art , and the specific ...
Pagina 87
... æstheticians and critics . Mr. Birkhoff is a courageous pioneer , who makes it plain that even in this one field of a limited number of fairly familiar plane polygons - a few of the most elementary two - dimensional spatial structures ...
... æstheticians and critics . Mr. Birkhoff is a courageous pioneer , who makes it plain that even in this one field of a limited number of fairly familiar plane polygons - a few of the most elementary two - dimensional spatial structures ...
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absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic theory apply apprehended artists asthetic attention basic Berkeley Berkeley blank verse CALIFORNIA LIBRARY called character characteristic clear clearly color variations complex concrete conscious constitute cretely criticism defined definitely degree determinate dimension directly discerned discriminating distinct distinguished Dominant duration elements English poetry exhibited experience expressive fact familiar feeling felt formal function fundamental give grasp hence human human voice iambic pentameter iambs indicated intelligible intrinsic knowledge length means Mediant merely musical scale nature notes obvious octave particular perception physical pitch intervals pitch pattern pitch relations Polyclitus present processes qualitative orders relevant rhythmical scale scheme selected sense sensory sensuous serial orders simply sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees UNIVERSITY OF CALIFORNIA vibration rate whole words