AEsthetic Analysis |
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Pagina 32
CHAPTER II THE BASIS OF ÆSTHETIC ANALYSIS : ELEMENTS AND ORDERS
EFORE turning to the sort of analysis that constitutes D ästhetics , it may be best
to have some approximate notion of the nature as well as the function of ...
CHAPTER II THE BASIS OF ÆSTHETIC ANALYSIS : ELEMENTS AND ORDERS
EFORE turning to the sort of analysis that constitutes D ästhetics , it may be best
to have some approximate notion of the nature as well as the function of ...
Pagina 33
If logical analysis is applied to an actual physical object or to the concrete quality
had in an experience , the nature of that object and of that qualitative presence
remain what they were , even though we may , with new light on them , change ...
If logical analysis is applied to an actual physical object or to the concrete quality
had in an experience , the nature of that object and of that qualitative presence
remain what they were , even though we may , with new light on them , change ...
Pagina 34
It is only by mistaking analysis for a complete description of literally everything all
at once , and in all ways at once , that it appears as falsification . The objection
may still be raised that since any analysis omits at least something , as all actual
...
It is only by mistaking analysis for a complete description of literally everything all
at once , and in all ways at once , that it appears as falsification . The objection
may still be raised that since any analysis omits at least something , as all actual
...
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abstract accent actual adequate æsthetic analysis appears apply apprehended artists aspects attention basic basis become body called character characteristic clear clearly color complex concrete conscious constitute counts course criticism defined definitely determinate direct directly discriminating distinct distinguished division Dominant duration effect elements example exhibited experience expressive fact familiar feeling felt field formal function fundamental give given grasp grouping hence human indicated individual intelligible intensity interest intervals intrinsic involved knowledge least length less LIBRARY limited mark matter means measure merely nature notes object obvious octave once organism particular physical pitch possible present processes qualitative range relations relevant response rhythm scale scheme selected sense sensuous simply single sort sound spatial specific structure surface systematic taken temporal pattern things tion Tonic UNIVERSITY OF CALIFORNIA variations various verse vibration whole