AEsthetic AnalysisThomas, Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 25
Pagina 6
... appears snowy ; for science this similarity is not even interesting . If we have recog- nized a shape as one fitted for a practical purpose , and our interest is no longer in realizing this shape fully but in using it to stop a hole or ...
... appears snowy ; for science this similarity is not even interesting . If we have recog- nized a shape as one fitted for a practical purpose , and our interest is no longer in realizing this shape fully but in using it to stop a hole or ...
Pagina 56
... appear only as qualitied . We keep " quality " as a term for the very pur- pose of distinguishing such aspects of color and sound from extensional aspects whether spatial or temporal . Why , then , are the qualitative orders any more ...
... appear only as qualitied . We keep " quality " as a term for the very pur- pose of distinguishing such aspects of color and sound from extensional aspects whether spatial or temporal . Why , then , are the qualitative orders any more ...
Pagina 146
David Wight Prall. sounds , shapes and rhythms , appear as qualitative charac- ters of material things or of physical ... appears at all only as content for mind or spirit . But more than this , without such content spirit or mind would ...
David Wight Prall. sounds , shapes and rhythms , appear as qualitative charac- ters of material things or of physical ... appears at all only as content for mind or spirit . But more than this , without such content spirit or mind would ...
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absolute pitch abstract accent acquaintance actual adequate ęsthetic analysis ęsthetic content ęsthetic objects ęsthetic theory apply apprehended artists asthetic attention basic Berkeley Berkeley blank verse CALIFORNIA LIBRARY called character characteristic clear clearly color variations complex concrete conscious constitute cretely criticism defined definitely degree determinate dimension directly discerned discriminating distinct distinguished Dominant duration elements English poetry exhibited experience expressive fact familiar feeling felt formal function fundamental give grasp hence human human voice iambic pentameter iambs indicated intelligible intrinsic knowledge length means Mediant merely musical scale nature notes obvious octave particular perception physical pitch intervals pitch pattern pitch relations Polyclitus present processes qualitative orders relevant rhythmical scale scheme selected sense sensory sensuous serial orders simply sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees UNIVERSITY OF CALIFORNIA vibration rate whole words