AEsthetic AnalysisThomas, Y. Crowell, 1936 - 211 pagine |
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Risultati 1-3 di 22
Pagina 118
... apply apply our scheme . Even the available experi- mental data of psychological studies would tend to estab- lish our scheme only so far as the reading of verse in such experiments is governed by a clear sense of rhythm . So far as the ...
... apply apply our scheme . Even the available experi- mental data of psychological studies would tend to estab- lish our scheme only so far as the reading of verse in such experiments is governed by a clear sense of rhythm . So far as the ...
Pagina 173
... apply to the good and the bad alike , and that the distinguishing of them would not be its primary determining ... application to art is important and proportionately ex- tensive , because in art the qualitative has taken on marked ...
... apply to the good and the bad alike , and that the distinguishing of them would not be its primary determining ... application to art is important and proportionately ex- tensive , because in art the qualitative has taken on marked ...
Pagina 202
... apply . Except in the very few cases where our adjectives - like those for color and pitch — are systematized pretty fully , the available de- scriptive terms are so extremely indeterminate that their application alone would hardly ...
... apply . Except in the very few cases where our adjectives - like those for color and pitch — are systematized pretty fully , the available de- scriptive terms are so extremely indeterminate that their application alone would hardly ...
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absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic theory apply apprehended artists asthetic attention basic Berkeley Berkeley blank verse CALIFORNIA LIBRARY called character characteristic clear clearly color variations complex concrete conscious constitute cretely criticism defined definitely degree determinate dimension directly discerned discriminating distinct distinguished Dominant duration elements English poetry exhibited experience expressive fact familiar feeling felt formal function fundamental give grasp hence human human voice iambic pentameter iambs indicated intelligible intrinsic knowledge length means Mediant merely musical scale nature notes obvious octave particular perception physical pitch intervals pitch pattern pitch relations Polyclitus present processes qualitative orders relevant rhythmical scale scheme selected sense sensory sensuous serial orders simply sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees UNIVERSITY OF CALIFORNIA vibration rate whole words