AEsthetic AnalysisThomas, Y. Crowell, 1936 - 211 pagine |
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Risultati 1-3 di 68
Pagina 136
... apprehension is possible of the structural forms actually given as æsthetic surfaces . Since , for ex- ample , in the ... apprehended as color de- sign . This contrast is properly to be called structural— serves , that is , to constitute ...
... apprehension is possible of the structural forms actually given as æsthetic surfaces . Since , for ex- ample , in the ... apprehended as color de- sign . This contrast is properly to be called structural— serves , that is , to constitute ...
Pagina 155
... apprehending the particular determinate whole in question . In another sense the dis- criminated elements as apprehended in their structural re- lations constitute this whole , so that actually apprehending the qualitative determinate ...
... apprehending the particular determinate whole in question . In another sense the dis- criminated elements as apprehended in their structural re- lations constitute this whole , so that actually apprehending the qualitative determinate ...
Pagina 157
... apprehend the dilapidation at all . And unless we have apprehended all of them quite definitely , we have not apprehended this particular dilapidation , but only some marks that lead us to think dilapidation , or the word di- lapidation ...
... apprehend the dilapidation at all . And unless we have apprehended all of them quite definitely , we have not apprehended this particular dilapidation , but only some marks that lead us to think dilapidation , or the word di- lapidation ...
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absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic theory apply apprehended artists asthetic attention basic Berkeley Berkeley blank verse CALIFORNIA LIBRARY called character characteristic clear clearly color variations complex concrete conscious constitute cretely criticism defined definitely degree determinate dimension directly discerned discriminating distinct distinguished Dominant duration elements English poetry exhibited experience expressive fact familiar feeling felt formal function fundamental give grasp hence human human voice iambic pentameter iambs indicated intelligible intrinsic knowledge length means Mediant merely musical scale nature notes obvious octave particular perception physical pitch intervals pitch pattern pitch relations Polyclitus present processes qualitative orders relevant rhythmical scale scheme selected sense sensory sensuous serial orders simply sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees UNIVERSITY OF CALIFORNIA vibration rate whole words