AEsthetic AnalysisThomas, Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 30
Pagina 28
... artists are not en- dowed with mind so much as with a spirit which directly externalizes itself , and that other human spirits , by virtue of their innate humanity , can grasp the spiritual essence thus mysteriously made available . But ...
... artists are not en- dowed with mind so much as with a spirit which directly externalizes itself , and that other human spirits , by virtue of their innate humanity , can grasp the spiritual essence thus mysteriously made available . But ...
Pagina 141
... artist's own peculiar purpose , the purpose that defines activity as artistic , their function is the exhibition of a ... artists to use . But just what it is that an artist wants to do , just what may be properly and intelli- gibly said ...
... artist's own peculiar purpose , the purpose that defines activity as artistic , their function is the exhibition of a ... artists to use . But just what it is that an artist wants to do , just what may be properly and intelli- gibly said ...
Pagina 161
... artist except in the lazy sense in which we are all said to be artists be- cause we have feelings , though we have no skill and no medium by means of which to express them , no art , that is , at all . Even language fails most of us on ...
... artist except in the lazy sense in which we are all said to be artists be- cause we have feelings , though we have no skill and no medium by means of which to express them , no art , that is , at all . Even language fails most of us on ...
Altre edizioni - Visualizza tutto
Parole e frasi comuni
absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic theory apply apprehended artists asthetic attention basic Berkeley Berkeley blank verse CALIFORNIA LIBRARY called character characteristic clear clearly color variations complex concrete conscious constitute cretely criticism defined definitely degree determinate dimension directly discerned discriminating distinct distinguished Dominant duration elements English poetry exhibited experience expressive fact familiar feeling felt formal function fundamental give grasp hence human human voice iambic pentameter iambs indicated intelligible intrinsic knowledge length means Mediant merely musical scale nature notes obvious octave particular perception physical pitch intervals pitch pattern pitch relations Polyclitus present processes qualitative orders relevant rhythmical scale scheme selected sense sensory sensuous serial orders simply sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees UNIVERSITY OF CALIFORNIA vibration rate whole words