AEsthetic AnalysisThomas, Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 85
Pagina 44
... aspects of quality as are clearly relational , and survey the elements in the orders constituted by such relations . And since we have already seen that these rela- tions are peculiar to certain qualitative aspects of sensuous material ...
... aspects of quality as are clearly relational , and survey the elements in the orders constituted by such relations . And since we have already seen that these rela- tions are peculiar to certain qualitative aspects of sensuous material ...
Pagina 136
... aspects ( as pitch is not heard except in an actual sound which has loudness , duration , timbre , and so on ) but which can be imagined and conceived independ- ently of these other aspects , just as they are discerned in and abstracted ...
... aspects ( as pitch is not heard except in an actual sound which has loudness , duration , timbre , and so on ) but which can be imagined and conceived independ- ently of these other aspects , just as they are discerned in and abstracted ...
Pagina 139
... aspects of the world than pitch , which is confined to the region of what is named as one qualitative realm , that of sound . It is within the abstract temporal order that we made out the general nature of the strictly temporal aspects ...
... aspects of the world than pitch , which is confined to the region of what is named as one qualitative realm , that of sound . It is within the abstract temporal order that we made out the general nature of the strictly temporal aspects ...
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absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic theory apply apprehended artists asthetic attention basic Berkeley Berkeley blank verse CALIFORNIA LIBRARY called character characteristic clear clearly color variations complex concrete conscious constitute cretely criticism defined definitely degree determinate dimension directly discerned discriminating distinct distinguished Dominant duration elements English poetry exhibited experience expressive fact familiar feeling felt formal function fundamental give grasp hence human human voice iambic pentameter iambs indicated intelligible intrinsic knowledge length means Mediant merely musical scale nature notes obvious octave particular perception physical pitch intervals pitch pattern pitch relations Polyclitus present processes qualitative orders relevant rhythmical scale scheme selected sense sensory sensuous serial orders simply sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees UNIVERSITY OF CALIFORNIA vibration rate whole words