AEsthetic Analysis |
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Pagina 99
But doing this ( by whatever method , say merely pronouncing one — one ) if no
further indication is given , will inevitably be taken by our attention as indicating
not merely the interval between the two sounds , but also a second interval ...
But doing this ( by whatever method , say merely pronouncing one — one ) if no
further indication is given , will inevitably be taken by our attention as indicating
not merely the interval between the two sounds , but also a second interval ...
Pagina 147
Abstraction is involved in ab - ' sorbed attention to a given content in two ways
only , as its condition , which is previous activity making it capable of complete
concrete grasp in any given case , and secondly , as the dependence of any such
...
Abstraction is involved in ab - ' sorbed attention to a given content in two ways
only , as its condition , which is previous activity making it capable of complete
concrete grasp in any given case , and secondly , as the dependence of any such
...
Pagina 181
If we are to have one large term to indicate this demand of human apprehending
attention , this required achievement of unity , and to put it in a word that
characterizes any or all of the kinds of pattern that could make a presentation
structurally ...
If we are to have one large term to indicate this demand of human apprehending
attention , this required achievement of unity , and to put it in a word that
characterizes any or all of the kinds of pattern that could make a presentation
structurally ...
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abstract accent actual adequate ęsthetic analysis appears apply apprehended artists aspects attention basic basis become body called character characteristic clear clearly color complex concrete conscious constitute counts course criticism defined definitely determinate direct directly discriminating distinct distinguished division Dominant duration effect elements example exhibited experience expressive fact familiar feeling felt field formal function fundamental give given grasp grouping hence human indicated individual intelligible intensity interest intervals intrinsic involved knowledge least length less LIBRARY limited mark matter means measure merely nature notes object obvious octave once organism particular physical pitch possible present processes qualitative range relations relevant response rhythm scale scheme selected sense sensuous simply single sort sound spatial specific structure surface systematic taken temporal pattern things tion Tonic UNIVERSITY OF CALIFORNIA variations various verse vibration whole