AEsthetic AnalysisThomas, Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 40
Pagina 79
... basic scale structure ; the nature of the pro- duction of a musical sound , with its partials , is another . And it is this natural selection out of an ordered continuum that offers those infinite structural possibilities that have been ...
... basic scale structure ; the nature of the pro- duction of a musical sound , with its partials , is another . And it is this natural selection out of an ordered continuum that offers those infinite structural possibilities that have been ...
Pagina 83
... basic patterns in the more regularly recognized kinds of intelligible form . For general æsthetic theory we must limit ourselves here . We can- not in any brief account , even if — impossibly — we were acquainted with all the works of ...
... basic patterns in the more regularly recognized kinds of intelligible form . For general æsthetic theory we must limit ourselves here . We can- not in any brief account , even if — impossibly — we were acquainted with all the works of ...
Pagina 94
... basic pattern , we may well turn to the temporal order itself and then to some of the basic temporal patterns exhibited by English verse form . A third end may also be served by the present chapter . It suggest the answer to the most ...
... basic pattern , we may well turn to the temporal order itself and then to some of the basic temporal patterns exhibited by English verse form . A third end may also be served by the present chapter . It suggest the answer to the most ...
Altre edizioni - Visualizza tutto
Parole e frasi comuni
absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic theory apply apprehended artists asthetic attention basic Berkeley Berkeley blank verse CALIFORNIA LIBRARY called character characteristic clear clearly color variations complex concrete conscious constitute cretely criticism defined definitely degree determinate dimension directly discerned discriminating distinct distinguished Dominant duration elements English poetry exhibited experience expressive fact familiar feeling felt formal function fundamental give grasp hence human human voice iambic pentameter iambs indicated intelligible intrinsic knowledge length means Mediant merely musical scale nature notes obvious octave particular perception physical pitch intervals pitch pattern pitch relations Polyclitus present processes qualitative orders relevant rhythmical scale scheme selected sense sensory sensuous serial orders simply sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees UNIVERSITY OF CALIFORNIA vibration rate whole words