AEsthetic AnalysisThomas, Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 42
Pagina 59
... basis of which works of art have been constructed . Moreover , artists have had to consider many non - æsthetic aspects of the physical media that are the bearers of æsthetic form and quality . And æsthetics is forced into considering ...
... basis of which works of art have been constructed . Moreover , artists have had to consider many non - æsthetic aspects of the physical media that are the bearers of æsthetic form and quality . And æsthetics is forced into considering ...
Pagina 79
... basis of a set of elements in intelligible qualitative order an order , that is , within pitch as such — that is as clear a structural basis as geometry . The fundamental pitch continuum is one necessary con- dition of this basic scale ...
... basis of a set of elements in intelligible qualitative order an order , that is , within pitch as such — that is as clear a structural basis as geometry . The fundamental pitch continuum is one necessary con- dition of this basic scale ...
Pagina 202
... basis as the extent and the depth of his experience has furnished . But they will function to communicate the character of specific works of art to others , only if these others have the same basis to relate them to , unless the critic ...
... basis as the extent and the depth of his experience has furnished . But they will function to communicate the character of specific works of art to others , only if these others have the same basis to relate them to , unless the critic ...
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absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic theory apply apprehended artists asthetic attention basic Berkeley Berkeley blank verse CALIFORNIA LIBRARY called character characteristic clear clearly color variations complex concrete conscious constitute cretely criticism defined definitely degree determinate dimension directly discerned discriminating distinct distinguished Dominant duration elements English poetry exhibited experience expressive fact familiar feeling felt formal function fundamental give grasp hence human human voice iambic pentameter iambs indicated intelligible intrinsic knowledge length means Mediant merely musical scale nature notes obvious octave particular perception physical pitch intervals pitch pattern pitch relations Polyclitus present processes qualitative orders relevant rhythmical scale scheme selected sense sensory sensuous serial orders simply sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees UNIVERSITY OF CALIFORNIA vibration rate whole words