AEsthetic AnalysisThomas, Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 33
Pagina 54
... become purely formal as we have realized their abstractness in systematic analysis . There are no real but only nominal elements of space and time . But it takes very little meditation on the nature of pitch and hue to see that once we ...
... become purely formal as we have realized their abstractness in systematic analysis . There are no real but only nominal elements of space and time . But it takes very little meditation on the nature of pitch and hue to see that once we ...
Pagina 88
... become familiar with them in their uses . An ordinary spoon goes far be- yond the geometry at the disposal of most ... becomes the intelligible . So of knives and forks and chairs and tables and musical instruments . So of houses and ...
... become familiar with them in their uses . An ordinary spoon goes far be- yond the geometry at the disposal of most ... becomes the intelligible . So of knives and forks and chairs and tables and musical instruments . So of houses and ...
Pagina 155
... become com- pletely and intelligibly any feeling at all , to become the in- tended full feeling only suggested in the artist's processes of experience and not defined until he has worked it out in his medium . The feeling is not ...
... become com- pletely and intelligibly any feeling at all , to become the in- tended full feeling only suggested in the artist's processes of experience and not defined until he has worked it out in his medium . The feeling is not ...
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absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic theory apply apprehended artists asthetic attention basic Berkeley Berkeley blank verse CALIFORNIA LIBRARY called character characteristic clear clearly color variations complex concrete conscious constitute cretely criticism defined definitely degree determinate dimension directly discerned discriminating distinct distinguished Dominant duration elements English poetry exhibited experience expressive fact familiar feeling felt formal function fundamental give grasp hence human human voice iambic pentameter iambs indicated intelligible intrinsic knowledge length means Mediant merely musical scale nature notes obvious octave particular perception physical pitch intervals pitch pattern pitch relations Polyclitus present processes qualitative orders relevant rhythmical scale scheme selected sense sensory sensuous serial orders simply sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees UNIVERSITY OF CALIFORNIA vibration rate whole words