AEsthetic Analysis |
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Risultati 1-3 di 54
Pagina 65
The pitch given by the vibration of the string as a whole is called the fundamental
, the pitch of the sound . Furthermore , rates of vibration vary inversely with the
length of the vibrating string . That is to say , the vibrations of the half - lengths are
...
The pitch given by the vibration of the string as a whole is called the fundamental
, the pitch of the sound . Furthermore , rates of vibration vary inversely with the
length of the vibrating string . That is to say , the vibrations of the half - lengths are
...
Pagina 66
Naturally so , since it was heard before as a large part of the sound which we
called the sound of the fundamental . It is on account of this fact , viz . , that this so
- called partial or overtone is so large a part of the sound heard as the
fundamental ...
Naturally so , since it was heard before as a large part of the sound which we
called the sound of the fundamental . It is on account of this fact , viz . , that this so
- called partial or overtone is so large a part of the sound heard as the
fundamental ...
Pagina 74
In hearing any note sounded , then , we have heard the interval called a fifth , the
interval called a fourth ( for the fifth is a fourth below the octave of the
fundamental , which is one of the most prominent of the partials ) , and the
interval called ...
In hearing any note sounded , then , we have heard the interval called a fifth , the
interval called a fourth ( for the fifth is a fourth below the octave of the
fundamental , which is one of the most prominent of the partials ) , and the
interval called ...
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abstract accent actual adequate ęsthetic analysis appears apply apprehended artists aspects attention basic basis become body called character characteristic clear clearly color complex concrete conscious constitute counts course criticism defined definitely determinate direct directly discriminating distinct distinguished division Dominant duration effect elements example exhibited experience expressive fact familiar feeling felt field formal function fundamental give given grasp grouping hence human indicated individual intelligible intensity interest intervals intrinsic involved knowledge least length less LIBRARY limited mark matter means measure merely nature notes object obvious octave once organism particular physical pitch possible present processes qualitative range relations relevant response rhythm scale scheme selected sense sensuous simply single sort sound spatial specific structure surface systematic taken temporal pattern things tion Tonic UNIVERSITY OF CALIFORNIA variations various verse vibration whole