AEsthetic analysis |
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Pagina 65
The pitch given by the vibration of the string as a whole is called the fundamental,
the pitch of the sound. Furthermore, rates of vibration vary inversely with the
length of the vibrating string. That is to say, the vibrations of the half-lengths are at
...
The pitch given by the vibration of the string as a whole is called the fundamental,
the pitch of the sound. Furthermore, rates of vibration vary inversely with the
length of the vibrating string. That is to say, the vibrations of the half-lengths are at
...
Pagina 66
Naturally so, since it was heard before as a large part of the sound which we
called the sound of the fundamental. It is on account of this fact, viz., that this so-
called partial or overtone is so large a part of the sound heard as the fundamental
, ...
Naturally so, since it was heard before as a large part of the sound which we
called the sound of the fundamental. It is on account of this fact, viz., that this so-
called partial or overtone is so large a part of the sound heard as the fundamental
, ...
Pagina 74
In hearing any note sounded, then, we have heard the interval called a fifth, the
interval called a fourth (for the fifth is a fourth below the octave of the fundamental
, which is one of the most prominent of the partials), and the interval called the ...
In hearing any note sounded, then, we have heard the interval called a fifth, the
interval called a fourth (for the fifth is a fourth below the octave of the fundamental
, which is one of the most prominent of the partials), and the interval called the ...
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Parole e frasi comuni
absolute pitch abstract accent acquaintance actual adequate aesthetic analysis aesthetic content aesthetic objects aesthetic theory aestheticians apply apprehended artists attention basic blank verse called character characteristic clear clearly color variations complex concrete conscious constitute cretely criticism defined definitely degree determinate dimension directly discerned discriminating distinct distinguished Dominant duration elements emotional English poetry exhibited experience expressive fact familiar feeling felt formal function fundamental give grasp hence human human voice iambic pentameter iambs indicated intelligible intrinsic knowledge length loudness means Mediant melody merely musical scale nature notes obvious octave one-two organism particular perception physical pitch intervals pitch pattern pitch relations Polyclitus present processes qualitative orders relevant rhythmical scale scheme selected sense sensory sensuous serial orders simply sort sound spatial specific strictly string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees vibration rate whole words
Informazioni bibliografiche
| Titolo | AEsthetic analysis Apollo editions |
| Autore | David Wight Prall |
| Editore | Thomas, Y. Crowell, 1936 |
| Provenienza dell'originale | la University of California |
| Digitalizzato | 23 gen 2008 |
| Lunghezza | 211 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |