AEsthetic Analysis |
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Risultati 1-3 di 59
Pagina 145
And since the simplest thinking finds that works of art do express feeling , we are
forced by the obvious character of our data to look for feeling within presented
content , as an aspect of it , that is , integral to its actually present character , or as
...
And since the simplest thinking finds that works of art do express feeling , we are
forced by the obvious character of our data to look for feeling within presented
content , as an aspect of it , that is , integral to its actually present character , or as
...
Pagina 153
But such large general terms as solemnity , slowness , ponderousness of
movement , will not do to make out fully determinate meaning or character . As
love may be that of a father for a mature , distinguished married son , or that of a
girl for ...
But such large general terms as solemnity , slowness , ponderousness of
movement , will not do to make out fully determinate meaning or character . As
love may be that of a father for a mature , distinguished married son , or that of a
girl for ...
Pagina 192
Thus we require a set of normal proportions held in mind , if we are even to see
the specific features in their determinate character . And without such character
they are obviously not the particular features of the form actually to be discerned .
Thus we require a set of normal proportions held in mind , if we are even to see
the specific features in their determinate character . And without such character
they are obviously not the particular features of the form actually to be discerned .
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abstract accent actual adequate ęsthetic analysis appears apply apprehended artists aspects attention basic basis become body called character characteristic clear clearly color complex concrete conscious constitute counts course criticism defined definitely determinate direct directly discriminating distinct distinguished division Dominant duration effect elements example exhibited experience expressive fact familiar feeling felt field formal function fundamental give given grasp grouping hence human indicated individual intelligible intensity interest intervals intrinsic involved knowledge least length less LIBRARY limited mark matter means measure merely nature notes object obvious octave once organism particular physical pitch possible present processes qualitative range relations relevant response rhythm scale scheme selected sense sensuous simply single sort sound spatial specific structure surface systematic taken temporal pattern things tion Tonic UNIVERSITY OF CALIFORNIA variations various verse vibration whole