AEsthetic AnalysisThomas, Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
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Pagina 153
... character at all , no determinate na- ture , and would therefore be strictly and absolutely noth- ing , i . e . , meaningless . But such large general terms as solemnity , slowness , ponderousness of movement , will not do to make out ...
... character at all , no determinate na- ture , and would therefore be strictly and absolutely noth- ing , i . e . , meaningless . But such large general terms as solemnity , slowness , ponderousness of movement , will not do to make out ...
Pagina 180
... character of completed works of art , names which sound more ade- quate than our terms because they suggest the full char- acter instead of defining particular aspects of the struc- ture which has such character . Most of the famous ...
... character of completed works of art , names which sound more ade- quate than our terms because they suggest the full char- acter instead of defining particular aspects of the struc- ture which has such character . Most of the famous ...
Pagina 192
... character . And without such character they are ob- viously not the particular features of the form actually to be discerned . This discernment of spatial form and proportion goes only a little way towards the apprehension of the expres ...
... character . And without such character they are ob- viously not the particular features of the form actually to be discerned . This discernment of spatial form and proportion goes only a little way towards the apprehension of the expres ...
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absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic theory apply apprehended artists asthetic attention basic Berkeley Berkeley blank verse CALIFORNIA LIBRARY called character characteristic clear clearly color variations complex concrete conscious constitute cretely criticism defined definitely degree determinate dimension directly discerned discriminating distinct distinguished Dominant duration elements English poetry exhibited experience expressive fact familiar feeling felt formal function fundamental give grasp hence human human voice iambic pentameter iambs indicated intelligible intrinsic knowledge length means Mediant merely musical scale nature notes obvious octave particular perception physical pitch intervals pitch pattern pitch relations Polyclitus present processes qualitative orders relevant rhythmical scale scheme selected sense sensory sensuous serial orders simply sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees UNIVERSITY OF CALIFORNIA vibration rate whole words