AEsthetic AnalysisThomas, Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 53
Pagina 55
... clearly apprehended consists , upon analysis , of elements intrinsically ordered and also ordered spatially and temporally . The temporal cannot be present except as it attaches itself to what is qualitatively and spatially extended any ...
... clearly apprehended consists , upon analysis , of elements intrinsically ordered and also ordered spatially and temporally . The temporal cannot be present except as it attaches itself to what is qualitatively and spatially extended any ...
Pagina 95
... clearly stated , we have to offer as analysis nothing beyond two principles that every one assumes without question and has no need to study . These are ( 1 ) that is and is not are incompatible in a single simple assertion in ...
... clearly stated , we have to offer as analysis nothing beyond two principles that every one assumes without question and has no need to study . These are ( 1 ) that is and is not are incompatible in a single simple assertion in ...
Pagina 128
... clearly realized tem- poral measure and number . To find out whether the pres- ent scheme guides us adequately in reading classic Eng- lish verse , we must of course recognize the pattern itself clearly , and then read verse into the ...
... clearly realized tem- poral measure and number . To find out whether the pres- ent scheme guides us adequately in reading classic Eng- lish verse , we must of course recognize the pattern itself clearly , and then read verse into the ...
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absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic theory apply apprehended artists asthetic attention basic Berkeley Berkeley blank verse CALIFORNIA LIBRARY called character characteristic clear clearly color variations complex concrete conscious constitute cretely criticism defined definitely degree determinate dimension directly discerned discriminating distinct distinguished Dominant duration elements English poetry exhibited experience expressive fact familiar feeling felt formal function fundamental give grasp hence human human voice iambic pentameter iambs indicated intelligible intrinsic knowledge length means Mediant merely musical scale nature notes obvious octave particular perception physical pitch intervals pitch pattern pitch relations Polyclitus present processes qualitative orders relevant rhythmical scale scheme selected sense sensory sensuous serial orders simply sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees UNIVERSITY OF CALIFORNIA vibration rate whole words