AEsthetic AnalysisThomas, Y. Crowell, 1936 - 211 pagine |
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Risultati 1-3 di 17
Pagina 51
... color variation lies at a determinately felt distance from others along any single dimension chosen . But it will be clear at once that the selection of scales of color variations is guided by relations peculiar to color and not ...
... color variation lies at a determinately felt distance from others along any single dimension chosen . But it will be clear at once that the selection of scales of color variations is guided by relations peculiar to color and not ...
Pagina 80
... color orders , and variations memorized as at definite color intervals from one another , in specified color dimensions . But while the facts of harmony and contrast , and hence of all color design as such , depend absolutely on the ...
... color orders , and variations memorized as at definite color intervals from one another , in specified color dimensions . But while the facts of harmony and contrast , and hence of all color design as such , depend absolutely on the ...
Pagina 81
... color variations much as many ears distinguish pitches — sometimes so exactly that the term absolute pitch is used as if it named a peculiar faculty instead of merely a high degree of discrimination in aural memory . For many of us it ...
... color variations much as many ears distinguish pitches — sometimes so exactly that the term absolute pitch is used as if it named a peculiar faculty instead of merely a high degree of discrimination in aural memory . For many of us it ...
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absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic theory apply apprehended artists asthetic attention basic Berkeley Berkeley blank verse CALIFORNIA LIBRARY called character characteristic clear clearly color variations complex concrete conscious constitute cretely criticism defined definitely degree determinate dimension directly discerned discriminating distinct distinguished Dominant duration elements English poetry exhibited experience expressive fact familiar feeling felt formal function fundamental give grasp hence human human voice iambic pentameter iambs indicated intelligible intrinsic knowledge length means Mediant merely musical scale nature notes obvious octave particular perception physical pitch intervals pitch pattern pitch relations Polyclitus present processes qualitative orders relevant rhythmical scale scheme selected sense sensory sensuous serial orders simply sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees UNIVERSITY OF CALIFORNIA vibration rate whole words