AEsthetic AnalysisThomas, Y. Crowell, 1936 - 211 pagine |
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Pagina 30
David Wight Prall. complexes can be made into such complexes ; and only complexes of such elements can be intelligibly ... complex sonorities of great music . And it is with sharp perception of such isolated elements that the æsthetic ...
David Wight Prall. complexes can be made into such complexes ; and only complexes of such elements can be intelligibly ... complex sonorities of great music . And it is with sharp perception of such isolated elements that the æsthetic ...
Pagina 154
... complex to engage its whole attentive interest . Hence the response has full emo- tional character , as well as the more strictly intellectual character involved in discriminating structured content . Feelings are feelings about objects ...
... complex to engage its whole attentive interest . Hence the response has full emo- tional character , as well as the more strictly intellectual character involved in discriminating structured content . Feelings are feelings about objects ...
Pagina 167
... complex pattern of polygons inscribed and circumscribed , a diamond in a tall rectangle , circumscribed by a hexagon or an octagon , makes a clear , easily appre- hended design because all the subsidiary figures build themselves ...
... complex pattern of polygons inscribed and circumscribed , a diamond in a tall rectangle , circumscribed by a hexagon or an octagon , makes a clear , easily appre- hended design because all the subsidiary figures build themselves ...
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absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic theory apply apprehended artists asthetic attention basic Berkeley Berkeley blank verse CALIFORNIA LIBRARY called character characteristic clear clearly color variations complex concrete conscious constitute cretely criticism defined definitely degree determinate dimension directly discerned discriminating distinct distinguished Dominant duration elements English poetry exhibited experience expressive fact familiar feeling felt formal function fundamental give grasp hence human human voice iambic pentameter iambs indicated intelligible intrinsic knowledge length means Mediant merely musical scale nature notes obvious octave particular perception physical pitch intervals pitch pattern pitch relations Polyclitus present processes qualitative orders relevant rhythmical scale scheme selected sense sensory sensuous serial orders simply sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees UNIVERSITY OF CALIFORNIA vibration rate whole words