AEsthetic Analysis |
Dall'interno del libro
Risultati 1-3 di 24
Pagina 87
It has also an enclosed area and some color . To be a structure of any sort means
to be made up thus of discriminable elements in relations . When there are no
elements to be discriminated as related in a complex , there is no complex
present ...
It has also an enclosed area and some color . To be a structure of any sort means
to be made up thus of discriminable elements in relations . When there are no
elements to be discriminated as related in a complex , there is no complex
present ...
Pagina 154
... can grasp as distinct and individualized and intended , the formal fulfillment of
feeling , the vagueness and irrelevance gone , the response totally caught up
and directed in an object sufficiently complex to engage its whole attentive
interest .
... can grasp as distinct and individualized and intended , the formal fulfillment of
feeling , the vagueness and irrelevance gone , the response totally caught up
and directed in an object sufficiently complex to engage its whole attentive
interest .
Pagina 167
A complex pattern of polygons inscribed and circumscribed , a diamond in a tall
rectangle , circumscribed by a hexagon or an octagon , makes a clear , easily
apprehended design because all the subsidiary figures build themselves ...
A complex pattern of polygons inscribed and circumscribed , a diamond in a tall
rectangle , circumscribed by a hexagon or an octagon , makes a clear , easily
apprehended design because all the subsidiary figures build themselves ...
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abstract accent actual adequate ęsthetic analysis appears apply apprehended artists aspects attention basic basis become body called character characteristic clear clearly color complex concrete conscious constitute counts course criticism defined definitely determinate direct directly discriminating distinct distinguished division Dominant duration effect elements example exhibited experience expressive fact familiar feeling felt field formal function fundamental give given grasp grouping hence human indicated individual intelligible intensity interest intervals intrinsic involved knowledge least length less LIBRARY limited mark matter means measure merely nature notes object obvious octave once organism particular physical pitch possible present processes qualitative range relations relevant response rhythm scale scheme selected sense sensuous simply single sort sound spatial specific structure surface systematic taken temporal pattern things tion Tonic UNIVERSITY OF CALIFORNIA variations various verse vibration whole