AEsthetic Analysis |
Dall'interno del libro
Risultati 1-3 di 49
Pagina 53
ganism , but also that the spatial and temporal aspects of the concrete content
are themselves structural . Like pitch , time , whatever else it may be , is an order .
That space is an order we all realize from an elementary acquaintance with ...
ganism , but also that the spatial and temporal aspects of the concrete content
are themselves structural . Like pitch , time , whatever else it may be , is an order .
That space is an order we all realize from an elementary acquaintance with ...
Pagina 147
Abstraction is involved in ab - ' sorbed attention to a given content in two ways
only , as its condition , which is previous activity making it capable of complete
concrete grasp in any given case , and secondly , as the dependence of any such
...
Abstraction is involved in ab - ' sorbed attention to a given content in two ways
only , as its condition , which is previous activity making it capable of complete
concrete grasp in any given case , and secondly , as the dependence of any such
...
Pagina 177
In æsthetics our objects are relatively concrete wholes , and our feeling of them is
complicated by all that enters into a total organic response to the concrete
presentation before us . Æsthetics has not reached the point where a fully
adequate ...
In æsthetics our objects are relatively concrete wholes , and our feeling of them is
complicated by all that enters into a total organic response to the concrete
presentation before us . Æsthetics has not reached the point where a fully
adequate ...
Cosa dicono le persone - Scrivi una recensione
Nessuna recensione trovata nei soliti posti.
Altre edizioni - Visualizza tutto
Parole e frasi comuni
abstract accent actual adequate æsthetic analysis appears apply apprehended artists aspects attention basic basis become body called character characteristic clear clearly color complex concrete conscious constitute counts course criticism defined definitely determinate direct directly discriminating distinct distinguished division Dominant duration effect elements example exhibited experience expressive fact familiar feeling felt field formal function fundamental give given grasp grouping hence human indicated individual intelligible intensity interest intervals intrinsic involved knowledge least length less LIBRARY limited mark matter means measure merely nature notes object obvious octave once organism particular physical pitch possible present processes qualitative range relations relevant response rhythm scale scheme selected sense sensuous simply single sort sound spatial specific structure surface systematic taken temporal pattern things tion Tonic UNIVERSITY OF CALIFORNIA variations various verse vibration whole