AEsthetic AnalysisThomas, Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 40
Pagina 58
... constitute the genuine sensuous structure that the symphony actually is . But if the whole were not con- sciously felt , our perfected æsthetic knowledge would be knowledge of nothing ; it would achieve the ideal of ab- stract science ...
... constitute the genuine sensuous structure that the symphony actually is . But if the whole were not con- sciously felt , our perfected æsthetic knowledge would be knowledge of nothing ; it would achieve the ideal of ab- stract science ...
Pagina 136
... constitute the rela- tion of color contrast between them in one or more of the series , a contrast that is directly apprehended as color de- sign . This contrast is properly to be called structural— serves , that is , to constitute ...
... constitute the rela- tion of color contrast between them in one or more of the series , a contrast that is directly apprehended as color de- sign . This contrast is properly to be called structural— serves , that is , to constitute ...
Pagina 155
... constitute single apprehensible and exciting presentations of feeling , consciously requiring this embodiment to become com- pletely and intelligibly any feeling at all , to become the in- tended full feeling only suggested in the ...
... constitute single apprehensible and exciting presentations of feeling , consciously requiring this embodiment to become com- pletely and intelligibly any feeling at all , to become the in- tended full feeling only suggested in the ...
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absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic theory apply apprehended artists asthetic attention basic Berkeley Berkeley blank verse CALIFORNIA LIBRARY called character characteristic clear clearly color variations complex concrete conscious constitute cretely criticism defined definitely degree determinate dimension directly discerned discriminating distinct distinguished Dominant duration elements English poetry exhibited experience expressive fact familiar feeling felt formal function fundamental give grasp hence human human voice iambic pentameter iambs indicated intelligible intrinsic knowledge length means Mediant merely musical scale nature notes obvious octave particular perception physical pitch intervals pitch pattern pitch relations Polyclitus present processes qualitative orders relevant rhythmical scale scheme selected sense sensory sensuous serial orders simply sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees UNIVERSITY OF CALIFORNIA vibration rate whole words