AEsthetic AnalysisThomas, Y. Crowell, 1936 - 211 pagine |
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Risultati 1-3 di 15
Pagina 122
... counts is customary in a great deal of English speech . To discern this grouping into three counts a sure sense of regularity in a rapid count of three is required ; and the reason for our not being explicitly and formally familiar with ...
... counts is customary in a great deal of English speech . To discern this grouping into three counts a sure sense of regularity in a rapid count of three is required ; and the reason for our not being explicitly and formally familiar with ...
Pagina 129
... counts where more usually the half - measures have three counts . Vast amounts of blank verse , infinite numbers of he- roic couplets , fall into this pattern of three measures to the line , each measure divided into halves , and each ...
... counts where more usually the half - measures have three counts . Vast amounts of blank verse , infinite numbers of he- roic couplets , fall into this pattern of three measures to the line , each measure divided into halves , and each ...
Pagina 132
... count that agrees with a rhythmical reading that fits the natural speaking of the words , gives us two regular measures of six counts to the line , grouped as follows : I 2 3 bid me to I 2 3 6 6 live and I will live Thy 4 5 6 123 6 ...
... count that agrees with a rhythmical reading that fits the natural speaking of the words , gives us two regular measures of six counts to the line , grouped as follows : I 2 3 bid me to I 2 3 6 6 live and I will live Thy 4 5 6 123 6 ...
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absolute pitch abstract accent acquaintance actual adequate ęsthetic analysis ęsthetic content ęsthetic objects ęsthetic theory apply apprehended artists asthetic attention basic Berkeley Berkeley blank verse CALIFORNIA LIBRARY called character characteristic clear clearly color variations complex concrete conscious constitute cretely criticism defined definitely degree determinate dimension directly discerned discriminating distinct distinguished Dominant duration elements English poetry exhibited experience expressive fact familiar feeling felt formal function fundamental give grasp hence human human voice iambic pentameter iambs indicated intelligible intrinsic knowledge length means Mediant merely musical scale nature notes obvious octave particular perception physical pitch intervals pitch pattern pitch relations Polyclitus present processes qualitative orders relevant rhythmical scale scheme selected sense sensory sensuous serial orders simply sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees UNIVERSITY OF CALIFORNIA vibration rate whole words