AEsthetic Analysis |
Dall'interno del libro
Risultati 1-3 di 34
Pagina 27
We must of course choose some data to abstract from and to analyse , before we
can articulate the principles of this choice . But if æsthetics is one of the broad
regions of human experience , and not an esoteric cult , then a selection of data ...
We must of course choose some data to abstract from and to analyse , before we
can articulate the principles of this choice . But if æsthetics is one of the broad
regions of human experience , and not an esoteric cult , then a selection of data ...
Pagina 88
And this is to say nothing at all , of course , about the many other aspects of
spatial structure , nor about the scores of analogical and thoroughly muddled
applications of the terms balance and symmetry and rhythm to temporal and
qualitative ...
And this is to say nothing at all , of course , about the many other aspects of
spatial structure , nor about the scores of analogical and thoroughly muddled
applications of the terms balance and symmetry and rhythm to temporal and
qualitative ...
Pagina 128
To find out whether the present scheme guides us adequately in reading classic
English verse , we must of course recognize the pattern itself clearly , and then
read verse into the pattern . If this falsifies the music of honest English , the
scheme ...
To find out whether the present scheme guides us adequately in reading classic
English verse , we must of course recognize the pattern itself clearly , and then
read verse into the pattern . If this falsifies the music of honest English , the
scheme ...
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abstract accent actual adequate æsthetic analysis appears apply apprehended artists aspects attention basic basis become body called character characteristic clear clearly color complex concrete conscious constitute counts course criticism defined definitely determinate direct directly discriminating distinct distinguished division Dominant duration effect elements example exhibited experience expressive fact familiar feeling felt field formal function fundamental give given grasp grouping hence human indicated individual intelligible intensity interest intervals intrinsic involved knowledge least length less LIBRARY limited mark matter means measure merely nature notes object obvious octave once organism particular physical pitch possible present processes qualitative range relations relevant response rhythm scale scheme selected sense sensuous simply single sort sound spatial specific structure surface systematic taken temporal pattern things tion Tonic UNIVERSITY OF CALIFORNIA variations various verse vibration whole