AEsthetic AnalysisThomas, Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 35
Pagina 27
... course choose some data to abstract from and to analyse , before we can articulate the principles of this choice . But if æsthetics is one of the broad regions of human experience , and not an esoteric cult , then a selec- tion of data ...
... course choose some data to abstract from and to analyse , before we can articulate the principles of this choice . But if æsthetics is one of the broad regions of human experience , and not an esoteric cult , then a selec- tion of data ...
Pagina 88
... course , about the many other aspects of spatial structure , nor about the scores of analogical and thoroughly muddled applications of the terms balance and symmetry and rhythm to temporal and qualitative structures and relations , and ...
... course , about the many other aspects of spatial structure , nor about the scores of analogical and thoroughly muddled applications of the terms balance and symmetry and rhythm to temporal and qualitative structures and relations , and ...
Pagina 162
... course , as those of the same trees photographed . But Cézanne was not just painting trees . He was giving us the feeling of them with the spaces and lights among them , their fine delicacy in solid volume and space relations . This ...
... course , as those of the same trees photographed . But Cézanne was not just painting trees . He was giving us the feeling of them with the spaces and lights among them , their fine delicacy in solid volume and space relations . This ...
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absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic theory apply apprehended artists asthetic attention basic Berkeley Berkeley blank verse CALIFORNIA LIBRARY called character characteristic clear clearly color variations complex concrete conscious constitute cretely criticism defined definitely degree determinate dimension directly discerned discriminating distinct distinguished Dominant duration elements English poetry exhibited experience expressive fact familiar feeling felt formal function fundamental give grasp hence human human voice iambic pentameter iambs indicated intelligible intrinsic knowledge length means Mediant merely musical scale nature notes obvious octave particular perception physical pitch intervals pitch pattern pitch relations Polyclitus present processes qualitative orders relevant rhythmical scale scheme selected sense sensory sensuous serial orders simply sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees UNIVERSITY OF CALIFORNIA vibration rate whole words