AEsthetic AnalysisThomas, Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
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Pagina 24
... crete mass presented by nature's processes , some aspects of nature connected by some specific relations and thus capable of being viewed together . But this is abstract analysis ; this is the way of scientific knowledge . We must , in ...
... crete mass presented by nature's processes , some aspects of nature connected by some specific relations and thus capable of being viewed together . But this is abstract analysis ; this is the way of scientific knowledge . We must , in ...
Pagina 104
... crete poetry as actually pronounced uses a great many means to its ends , combined in an enormous variety of subtle ways . But we shall do little towards understanding this full structure until we distinguish some of its simpler 104 ...
... crete poetry as actually pronounced uses a great many means to its ends , combined in an enormous variety of subtle ways . But we shall do little towards understanding this full structure until we distinguish some of its simpler 104 ...
Pagina 134
... its basis is so simple and obvious as to be uninstructive and , in actual application to the con- crete compositions of the arts , irrelevant and useless . T CHAPTER V RELEVANCE IN ÆSTHETIC ANALYSIS : EXPRESSED FEELING 134 ÆSTHETIC ...
... its basis is so simple and obvious as to be uninstructive and , in actual application to the con- crete compositions of the arts , irrelevant and useless . T CHAPTER V RELEVANCE IN ÆSTHETIC ANALYSIS : EXPRESSED FEELING 134 ÆSTHETIC ...
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absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic theory apply apprehended artists asthetic attention basic Berkeley Berkeley blank verse CALIFORNIA LIBRARY called character characteristic clear clearly color variations complex concrete conscious constitute cretely criticism defined definitely degree determinate dimension directly discerned discriminating distinct distinguished Dominant duration elements English poetry exhibited experience expressive fact familiar feeling felt formal function fundamental give grasp hence human human voice iambic pentameter iambs indicated intelligible intrinsic knowledge length means Mediant merely musical scale nature notes obvious octave particular perception physical pitch intervals pitch pattern pitch relations Polyclitus present processes qualitative orders relevant rhythmical scale scheme selected sense sensory sensuous serial orders simply sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees UNIVERSITY OF CALIFORNIA vibration rate whole words