AEsthetic Analysis |
Dall'interno del libro
Risultati 1-3 di 14
Pagina 170
Not that criticism is as such useless , but that value judgments , if they are to be
made at all , are not ęsthetic understanding , and are irrelevant unless they
follow such understanding . The practice of criticism is valuable only as its
judgments ...
Not that criticism is as such useless , but that value judgments , if they are to be
made at all , are not ęsthetic understanding , and are irrelevant unless they
follow such understanding . The practice of criticism is valuable only as its
judgments ...
Pagina 202
But if criticism is single - mindedly engaged on telling us what sort of character
specific works of art have , and to what degree they have them , it is plain that the
adequately functioning critic will have a whole set of such criteria at his disposal
to ...
But if criticism is single - mindedly engaged on telling us what sort of character
specific works of art have , and to what degree they have them , it is plain that the
adequately functioning critic will have a whole set of such criteria at his disposal
to ...
Pagina 203
Thus serious criticism is never primarily evaluation , but K intelligent description
and comparison , like all other informative discourse . And the two fairly distinct
kinds of standard or criterion used in such discourse are terms naming structural
...
Thus serious criticism is never primarily evaluation , but K intelligent description
and comparison , like all other informative discourse . And the two fairly distinct
kinds of standard or criterion used in such discourse are terms naming structural
...
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abstract accent actual adequate ęsthetic analysis appears apply apprehended artists aspects attention basic basis become body called character characteristic clear clearly color complex concrete conscious constitute counts course criticism defined definitely determinate direct directly discriminating distinct distinguished division Dominant duration effect elements example exhibited experience expressive fact familiar feeling felt field formal function fundamental give given grasp grouping hence human indicated individual intelligible intensity interest intervals intrinsic involved knowledge least length less LIBRARY limited mark matter means measure merely nature notes object obvious octave once organism particular physical pitch possible present processes qualitative range relations relevant response rhythm scale scheme selected sense sensuous simply single sort sound spatial specific structure surface systematic taken temporal pattern things tion Tonic UNIVERSITY OF CALIFORNIA variations various verse vibration whole