AEsthetic AnalysisThomas, Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 45
Pagina 74
... defines . It is not that the notes of the major scale are all sounded in the sound of any given note , but that the intervals , the pitch relations , the determinate distances in pitch called fifths , fourths and so on , are defined in ...
... defines . It is not that the notes of the major scale are all sounded in the sound of any given note , but that the intervals , the pitch relations , the determinate distances in pitch called fifths , fourths and so on , are defined in ...
Pagina 101
... defined and naturally related musical intervals . But everything of every sort that occurs at all occurs in time , and in some particular temporal succession . We have seen that temporal occurrences that are pat- terned — as in the ...
... defined and naturally related musical intervals . But everything of every sort that occurs at all occurs in time , and in some particular temporal succession . We have seen that temporal occurrences that are pat- terned — as in the ...
Pagina 151
... defined present object felt , so there is no clearly defined single feeling ex- perienced , but a welter of successive transitory feelings only very slightly defined separately and not integrated into any one defined object of attention ...
... defined present object felt , so there is no clearly defined single feeling ex- perienced , but a welter of successive transitory feelings only very slightly defined separately and not integrated into any one defined object of attention ...
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absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic theory apply apprehended artists asthetic attention basic Berkeley Berkeley blank verse CALIFORNIA LIBRARY called character characteristic clear clearly color variations complex concrete conscious constitute cretely criticism defined definitely degree determinate dimension directly discerned discriminating distinct distinguished Dominant duration elements English poetry exhibited experience expressive fact familiar feeling felt formal function fundamental give grasp hence human human voice iambic pentameter iambs indicated intelligible intrinsic knowledge length means Mediant merely musical scale nature notes obvious octave particular perception physical pitch intervals pitch pattern pitch relations Polyclitus present processes qualitative orders relevant rhythmical scale scheme selected sense sensory sensuous serial orders simply sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees UNIVERSITY OF CALIFORNIA vibration rate whole words