AEsthetic Analysis |
Dall'interno del libro
Risultati 1-3 di 31
Pagina 70
but as Subdominant of the Dominant , and Dominant of the Subdominant . And
we should expect this of course , since it was the relation of the Dominant to the
Tonic that defined the interval from the Tonic to the Subdominant . The Tonic is
thus ...
but as Subdominant of the Dominant , and Dominant of the Subdominant . And
we should expect this of course , since it was the relation of the Dominant to the
Tonic that defined the interval from the Tonic to the Subdominant . The Tonic is
thus ...
Pagina 101
The pitch continuum was one aspect of sound itself , and the physical production
of a single sound indicated to us pitch distances , those between its partials all
sounding together , which we discerned as naturally defined and naturally
related ...
The pitch continuum was one aspect of sound itself , and the physical production
of a single sound indicated to us pitch distances , those between its partials all
sounding together , which we discerned as naturally defined and naturally
related ...
Pagina 151
But in fact love , without a material object present at least in imagination to define
it , is not love at all , but solely bodily ... And as there is no clearly defined present
object felt , so there is no clearly defined single feeling experienced , but a ...
But in fact love , without a material object present at least in imagination to define
it , is not love at all , but solely bodily ... And as there is no clearly defined present
object felt , so there is no clearly defined single feeling experienced , but a ...
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abstract accent actual adequate ęsthetic analysis appears apply apprehended artists aspects attention basic basis become body called character characteristic clear clearly color complex concrete conscious constitute counts course criticism defined definitely determinate direct directly discriminating distinct distinguished division Dominant duration effect elements example exhibited experience expressive fact familiar feeling felt field formal function fundamental give given grasp grouping hence human indicated individual intelligible intensity interest intervals intrinsic involved knowledge least length less LIBRARY limited mark matter means measure merely nature notes object obvious octave once organism particular physical pitch possible present processes qualitative range relations relevant response rhythm scale scheme selected sense sensuous simply single sort sound spatial specific structure surface systematic taken temporal pattern things tion Tonic UNIVERSITY OF CALIFORNIA variations various verse vibration whole