AEsthetic AnalysisThomas, Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 21
Pagina 80
... definitely fixed and clearly felt intervals is much more characteristic in the spreading of color over an area than in the spreading of sounds through time . And although there is an enormous number of possibilities for color contrasts ...
... definitely fixed and clearly felt intervals is much more characteristic in the spreading of color over an area than in the spreading of sounds through time . And although there is an enormous number of possibilities for color contrasts ...
Pagina 157
... definitely , than its exact shape and the details of color that mark , say , its dilapidation . Some of these formal details we must have apprehended in it , how- ever , if we apprehend the dilapidation at all . And unless we have ...
... definitely , than its exact shape and the details of color that mark , say , its dilapidation . Some of these formal details we must have apprehended in it , how- ever , if we apprehend the dilapidation at all . And unless we have ...
Pagina 203
... definitely to matters of me- dium and technique as to strictly ęsthetic content . The ęsthetic content , occurring as it does only upon a medium technically used , used that is in the ways of the arts and of artists , is often most ...
... definitely to matters of me- dium and technique as to strictly ęsthetic content . The ęsthetic content , occurring as it does only upon a medium technically used , used that is in the ways of the arts and of artists , is often most ...
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absolute pitch abstract accent acquaintance actual adequate ęsthetic analysis ęsthetic content ęsthetic objects ęsthetic theory apply apprehended artists asthetic attention basic Berkeley Berkeley blank verse CALIFORNIA LIBRARY called character characteristic clear clearly color variations complex concrete conscious constitute cretely criticism defined definitely degree determinate dimension directly discerned discriminating distinct distinguished Dominant duration elements English poetry exhibited experience expressive fact familiar feeling felt formal function fundamental give grasp hence human human voice iambic pentameter iambs indicated intelligible intrinsic knowledge length means Mediant merely musical scale nature notes obvious octave particular perception physical pitch intervals pitch pattern pitch relations Polyclitus present processes qualitative orders relevant rhythmical scale scheme selected sense sensory sensuous serial orders simply sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees UNIVERSITY OF CALIFORNIA vibration rate whole words