AEsthetic AnalysisThomas, Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 29
Pagina 153
... determinate ob- jective presentations directly apprehended . Without being directed upon specific , determinate structures , feelings re- main too vague to be said to have character or definition ; and most of our names for emotions are ...
... determinate ob- jective presentations directly apprehended . Without being directed upon specific , determinate structures , feelings re- main too vague to be said to have character or definition ; and most of our names for emotions are ...
Pagina 155
... determinate whole in question . In another sense the dis- criminated elements as apprehended in their structural re- lations constitute this whole , so that actually apprehending the qualitative determinate feeling is apprehending the ...
... determinate whole in question . In another sense the dis- criminated elements as apprehended in their structural re- lations constitute this whole , so that actually apprehending the qualitative determinate feeling is apprehending the ...
Pagina 192
... determinate enough to be describable in any terms . Is the neck short and stocky ? Only in pro- portion to other features in the first place . But any neck is short as compared with the arm of the same figure . Thus we require a set of ...
... determinate enough to be describable in any terms . Is the neck short and stocky ? Only in pro- portion to other features in the first place . But any neck is short as compared with the arm of the same figure . Thus we require a set of ...
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absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic theory apply apprehended artists asthetic attention basic Berkeley Berkeley blank verse CALIFORNIA LIBRARY called character characteristic clear clearly color variations complex concrete conscious constitute cretely criticism defined definitely degree determinate dimension directly discerned discriminating distinct distinguished Dominant duration elements English poetry exhibited experience expressive fact familiar feeling felt formal function fundamental give grasp hence human human voice iambic pentameter iambs indicated intelligible intrinsic knowledge length means Mediant merely musical scale nature notes obvious octave particular perception physical pitch intervals pitch pattern pitch relations Polyclitus present processes qualitative orders relevant rhythmical scale scheme selected sense sensory sensuous serial orders simply sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees UNIVERSITY OF CALIFORNIA vibration rate whole words