AEsthetic Analysis |
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Risultati 1-3 di 38
Pagina 136
We have noticed too that it is only in terms of the abstractly ordered aspects of
sensory content that determinate controlled composition is possible . And it is
consequently ( only in these same terms that a correspondingly relevant and
accurate ...
We have noticed too that it is only in terms of the abstractly ordered aspects of
sensory content that determinate controlled composition is possible . And it is
consequently ( only in these same terms that a correspondingly relevant and
accurate ...
Pagina 153
But such large general terms as solemnity , slowness , ponderousness of
movement , will not do to make out fully determinate meaning or character . As
love may be that of a father for a mature , distinguished married son , or that of a
girl for ...
But such large general terms as solemnity , slowness , ponderousness of
movement , will not do to make out fully determinate meaning or character . As
love may be that of a father for a mature , distinguished married son , or that of a
girl for ...
Pagina 192
Such a norm we must possess , if there is to be anything in what we see
determinate enough to be describable in any terms . Is the neck short and stocky
? Only in proportion to other features in the first place . But any neck is short as
compared ...
Such a norm we must possess , if there is to be anything in what we see
determinate enough to be describable in any terms . Is the neck short and stocky
? Only in proportion to other features in the first place . But any neck is short as
compared ...
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abstract accent actual adequate ęsthetic analysis appears apply apprehended artists aspects attention basic basis become body called character characteristic clear clearly color complex concrete conscious constitute counts course criticism defined definitely determinate direct directly discriminating distinct distinguished division Dominant duration effect elements example exhibited experience expressive fact familiar feeling felt field formal function fundamental give given grasp grouping hence human indicated individual intelligible intensity interest intervals intrinsic involved knowledge least length less LIBRARY limited mark matter means measure merely nature notes object obvious octave once organism particular physical pitch possible present processes qualitative range relations relevant response rhythm scale scheme selected sense sensuous simply single sort sound spatial specific structure surface systematic taken temporal pattern things tion Tonic UNIVERSITY OF CALIFORNIA variations various verse vibration whole