AEsthetic AnalysisThomas, Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 19
Pagina 39
... direct apprehension is the final adequate knowl- edge that we want . So in æsthetics itself . Its final aim is the body of knowledge that conditions direct and adequate apprehension , makes us at home among æsthetic objects . But such ...
... direct apprehension is the final adequate knowl- edge that we want . So in æsthetics itself . Its final aim is the body of knowledge that conditions direct and adequate apprehension , makes us at home among æsthetic objects . But such ...
Pagina 99
... direct attention as a single duration . For of course time runs on continuously , and there is always a supply of it to fill out a second duration immediately following a marked one . To some ears a duration of equal length is also de ...
... direct attention as a single duration . For of course time runs on continuously , and there is always a supply of it to fill out a second duration immediately following a marked one . To some ears a duration of equal length is also de ...
Pagina 147
... direct- ing interest and attention , nothing is given at all , as we saw clearly at the beginning . But obviously feeling is given . Feeling simply is concrete direct experience . And if we were only free of the cultivated but ...
... direct- ing interest and attention , nothing is given at all , as we saw clearly at the beginning . But obviously feeling is given . Feeling simply is concrete direct experience . And if we were only free of the cultivated but ...
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absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic theory apply apprehended artists asthetic attention basic Berkeley Berkeley blank verse CALIFORNIA LIBRARY called character characteristic clear clearly color variations complex concrete conscious constitute cretely criticism defined definitely degree determinate dimension directly discerned discriminating distinct distinguished Dominant duration elements English poetry exhibited experience expressive fact familiar feeling felt formal function fundamental give grasp hence human human voice iambic pentameter iambs indicated intelligible intrinsic knowledge length means Mediant merely musical scale nature notes obvious octave particular perception physical pitch intervals pitch pattern pitch relations Polyclitus present processes qualitative orders relevant rhythmical scale scheme selected sense sensory sensuous serial orders simply sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees UNIVERSITY OF CALIFORNIA vibration rate whole words