AEsthetic AnalysisThomas, Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 42
Pagina 6
... directly and fully ex- perienced . It is not merely distinguished by one of the senses , but felt emotionally in its full present character . But so far as it is æsthetic content , it is not more than thus directly felt . Once we go ...
... directly and fully ex- perienced . It is not merely distinguished by one of the senses , but felt emotionally in its full present character . But so far as it is æsthetic content , it is not more than thus directly felt . Once we go ...
Pagina 9
... directly felt as the unifying completion of the process of emotional perception . And to any conscious perception at all some degree of emotion is requisite , if it \ is no more than the excitement of the attention that brings it to a ...
... directly felt as the unifying completion of the process of emotional perception . And to any conscious perception at all some degree of emotion is requisite , if it \ is no more than the excitement of the attention that brings it to a ...
Pagina 31
... directly acquainted with it . And this at all the levels of experience , from bare con- scious awareness of qualitative content as distinguishable external presentation , to the intelligent grasp of great works of art , where all the ...
... directly acquainted with it . And this at all the levels of experience , from bare con- scious awareness of qualitative content as distinguishable external presentation , to the intelligent grasp of great works of art , where all the ...
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absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic theory apply apprehended artists asthetic attention basic Berkeley Berkeley blank verse CALIFORNIA LIBRARY called character characteristic clear clearly color variations complex concrete conscious constitute cretely criticism defined definitely degree determinate dimension directly discerned discriminating distinct distinguished Dominant duration elements English poetry exhibited experience expressive fact familiar feeling felt formal function fundamental give grasp hence human human voice iambic pentameter iambs indicated intelligible intrinsic knowledge length means Mediant merely musical scale nature notes obvious octave particular perception physical pitch intervals pitch pattern pitch relations Polyclitus present processes qualitative orders relevant rhythmical scale scheme selected sense sensory sensuous serial orders simply sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees UNIVERSITY OF CALIFORNIA vibration rate whole words