AEsthetic AnalysisThomas, Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 26
Pagina 15
... discriminated as the basic structure of many aspects of the arts , and that training in discriminating these relations is the necessary condition of actual full acquaintance with works of art , and hence with the nature of art in ...
... discriminated as the basic structure of many aspects of the arts , and that training in discriminating these relations is the necessary condition of actual full acquaintance with works of art , and hence with the nature of art in ...
Pagina 57
... discriminating of the discrete out of the continu- ous . Abstraction is necessary to distinct experience of any- thing as distinguished from anything else , as distinguished from just everything all at once in one totality of confused ...
... discriminating of the discrete out of the continu- ous . Abstraction is necessary to distinct experience of any- thing as distinguished from anything else , as distinguished from just everything all at once in one totality of confused ...
Pagina 76
... discriminating the intervals so defined ; the duration re- quired for hearing any note at all at any pitch or of any quality or loudness — all these are essential to concrete mu- sical sound and to discovering the scale . But they are ...
... discriminating the intervals so defined ; the duration re- quired for hearing any note at all at any pitch or of any quality or loudness — all these are essential to concrete mu- sical sound and to discovering the scale . But they are ...
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absolute pitch abstract accent acquaintance actual adequate ęsthetic analysis ęsthetic content ęsthetic objects ęsthetic theory apply apprehended artists asthetic attention basic Berkeley Berkeley blank verse CALIFORNIA LIBRARY called character characteristic clear clearly color variations complex concrete conscious constitute cretely criticism defined definitely degree determinate dimension directly discerned discriminating distinct distinguished Dominant duration elements English poetry exhibited experience expressive fact familiar feeling felt formal function fundamental give grasp hence human human voice iambic pentameter iambs indicated intelligible intrinsic knowledge length means Mediant merely musical scale nature notes obvious octave particular perception physical pitch intervals pitch pattern pitch relations Polyclitus present processes qualitative orders relevant rhythmical scale scheme selected sense sensory sensuous serial orders simply sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees UNIVERSITY OF CALIFORNIA vibration rate whole words