AEsthetic Analysis |
Dall'interno del libro
Risultati 1-3 di 16
Pagina 7
it a little differently , the ęsthetic aspect of experience is that in which , instead of
employing the qualitative surface as a means and taking it for granted , we spend
our whole attentive energy upon discriminating and realizing its full character ...
it a little differently , the ęsthetic aspect of experience is that in which , instead of
employing the qualitative surface as a means and taking it for granted , we spend
our whole attentive energy upon discriminating and realizing its full character ...
Pagina 15
lations , not numerical , not spatial and not temporal , can be discriminated as the
basic structure of many aspects of the arts , and that training in discriminating
these relations is the necessary condition of actual full acquaintance with works
of ...
lations , not numerical , not spatial and not temporal , can be discriminated as the
basic structure of many aspects of the arts , and that training in discriminating
these relations is the necessary condition of actual full acquaintance with works
of ...
Pagina 20
It is not full enough or discriminating enough to find in the immediately present
content an adequately absorbing object . Any one who has ever been absorbed
in looking at a tree in a picture has been occupied in discriminating lines , shapes
...
It is not full enough or discriminating enough to find in the immediately present
content an adequately absorbing object . Any one who has ever been absorbed
in looking at a tree in a picture has been occupied in discriminating lines , shapes
...
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abstract accent actual adequate ęsthetic analysis appears apply apprehended artists aspects attention basic basis become body called character characteristic clear clearly color complex concrete conscious constitute counts course criticism defined definitely determinate direct directly discriminating distinct distinguished division Dominant duration effect elements example exhibited experience expressive fact familiar feeling felt field formal function fundamental give given grasp grouping hence human indicated individual intelligible intensity interest intervals intrinsic involved knowledge least length less LIBRARY limited mark matter means measure merely nature notes object obvious octave once organism particular physical pitch possible present processes qualitative range relations relevant response rhythm scale scheme selected sense sensuous simply single sort sound spatial specific structure surface systematic taken temporal pattern things tion Tonic UNIVERSITY OF CALIFORNIA variations various verse vibration whole