AEsthetic Analysis |
Dall'interno del libro
Risultati 1-3 di 26
Pagina 15
To show that there are color structures distinct from spatial structures , we need
only exhibit two different color structures which are spatially the same and which
are themselves complexes of color relations . The difference between the two ...
To show that there are color structures distinct from spatial structures , we need
only exhibit two different color structures which are spatially the same and which
are themselves complexes of color relations . The difference between the two ...
Pagina 57
And it is only by abstracting from the infinite , unintelligible , impinging world of
nature what our attention can take in as something or other which is not
everything else , that we have distinct experience at all , what Mr . Dewey calls
experiences ...
And it is only by abstracting from the infinite , unintelligible , impinging world of
nature what our attention can take in as something or other which is not
everything else , that we have distinct experience at all , what Mr . Dewey calls
experiences ...
Pagina 104
possibility of a succession of measures of different lengths is hardly another
distinct kind of variation , but only a different grouping of units . For either the
measure remains of the same length and is only differently divided , or else the
continuity ...
possibility of a succession of measures of different lengths is hardly another
distinct kind of variation , but only a different grouping of units . For either the
measure remains of the same length and is only differently divided , or else the
continuity ...
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abstract accent actual adequate ęsthetic analysis appears apply apprehended artists aspects attention basic basis become body called character characteristic clear clearly color complex concrete conscious constitute counts course criticism defined definitely determinate direct directly discriminating distinct distinguished division Dominant duration effect elements example exhibited experience expressive fact familiar feeling felt field formal function fundamental give given grasp grouping hence human indicated individual intelligible intensity interest intervals intrinsic involved knowledge least length less LIBRARY limited mark matter means measure merely nature notes object obvious octave once organism particular physical pitch possible present processes qualitative range relations relevant response rhythm scale scheme selected sense sensuous simply single sort sound spatial specific structure surface systematic taken temporal pattern things tion Tonic UNIVERSITY OF CALIFORNIA variations various verse vibration whole