AEsthetic AnalysisThomas, Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 21
Pagina 103
... division on the single line of temporal forward progress . Since our attentive processes will thus be alternately tensed in expectation and relaxed at the points of division , to the degree that we are absorbed by the temporal pattern ...
... division on the single line of temporal forward progress . Since our attentive processes will thus be alternately tensed in expectation and relaxed at the points of division , to the degree that we are absorbed by the temporal pattern ...
Pagina 104
... divisions of the flow of a sounding medium in time will be greater sound intensity at the points of division . Changes in pitch may also serve this purpose . But in English in general pitch plays a not very explicit and distinctly minor ...
... divisions of the flow of a sounding medium in time will be greater sound intensity at the points of division . Changes in pitch may also serve this purpose . But in English in general pitch plays a not very explicit and distinctly minor ...
Pagina 132
... division depended on the rhyme , there would be no more reason for dividing the stanza into the two so - called fourteeners than for the division into four lines . Without the rests , in other words , the fourteeners here would not be ...
... division depended on the rhyme , there would be no more reason for dividing the stanza into the two so - called fourteeners than for the division into four lines . Without the rests , in other words , the fourteeners here would not be ...
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absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic theory apply apprehended artists asthetic attention basic Berkeley Berkeley blank verse CALIFORNIA LIBRARY called character characteristic clear clearly color variations complex concrete conscious constitute cretely criticism defined definitely degree determinate dimension directly discerned discriminating distinct distinguished Dominant duration elements English poetry exhibited experience expressive fact familiar feeling felt formal function fundamental give grasp hence human human voice iambic pentameter iambs indicated intelligible intrinsic knowledge length means Mediant merely musical scale nature notes obvious octave particular perception physical pitch intervals pitch pattern pitch relations Polyclitus present processes qualitative orders relevant rhythmical scale scheme selected sense sensory sensuous serial orders simply sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees UNIVERSITY OF CALIFORNIA vibration rate whole words