AEsthetic AnalysisThomas, Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 18
Pagina 56
... duration and every color , spatial extension . But everything in the world has duration , while nothing but sound has pitch , as nothing in the world but sound has loudness in the specific use of the word as here applied . Vast numbers ...
... duration and every color , spatial extension . But everything in the world has duration , while nothing but sound has pitch , as nothing in the world but sound has loudness in the specific use of the word as here applied . Vast numbers ...
Pagina 99
... duration . For of course time runs on continuously , and there is always a supply of it to fill out a second duration immediately following a marked one . To some ears a duration of equal length is also de- fined preceding the first one ...
... duration . For of course time runs on continuously , and there is always a supply of it to fill out a second duration immediately following a marked one . To some ears a duration of equal length is also de- fined preceding the first one ...
Pagina 108
... duration of its funda- mental measure — since verse is one form of speech - is not of primary structural importance to its temporal pat- tern . While there has to be such a fixed measure , which is necessarily a specific duration , it ...
... duration of its funda- mental measure — since verse is one form of speech - is not of primary structural importance to its temporal pat- tern . While there has to be such a fixed measure , which is necessarily a specific duration , it ...
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absolute pitch abstract accent acquaintance actual adequate ęsthetic analysis ęsthetic content ęsthetic objects ęsthetic theory apply apprehended artists asthetic attention basic Berkeley Berkeley blank verse CALIFORNIA LIBRARY called character characteristic clear clearly color variations complex concrete conscious constitute cretely criticism defined definitely degree determinate dimension directly discerned discriminating distinct distinguished Dominant duration elements English poetry exhibited experience expressive fact familiar feeling felt formal function fundamental give grasp hence human human voice iambic pentameter iambs indicated intelligible intrinsic knowledge length means Mediant merely musical scale nature notes obvious octave particular perception physical pitch intervals pitch pattern pitch relations Polyclitus present processes qualitative orders relevant rhythmical scale scheme selected sense sensory sensuous serial orders simply sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees UNIVERSITY OF CALIFORNIA vibration rate whole words