AEsthetic Analysis |
Dall'interno del libro
Risultati 1-3 di 18
Pagina 56
A note must have duration just as truly as it must have pitch or timbre ; and spatial
and temporal structures can appear only as qualitied . We keep “ quality ” as a
term for the very purpose of distinguishing such aspects of color and sound from
...
A note must have duration just as truly as it must have pitch or timbre ; and spatial
and temporal structures can appear only as qualitied . We keep “ quality ” as a
term for the very purpose of distinguishing such aspects of color and sound from
...
Pagina 99
familiar data of simple direct experience that we are talking about . Experiment is
demanded , though only of that easy sort that we can readily carry out in
imagination . To mark the two ends of an interval of duration , it is necessary to
give two ...
familiar data of simple direct experience that we are talking about . Experiment is
demanded , though only of that easy sort that we can readily carry out in
imagination . To mark the two ends of an interval of duration , it is necessary to
give two ...
Pagina 108
And not all of the conventions , though they may be musically significant in
various traditional ways , indicate clearly anything about the general nature of
temporal pattern in music , except that there must be fixed lengths of duration for
the ...
And not all of the conventions , though they may be musically significant in
various traditional ways , indicate clearly anything about the general nature of
temporal pattern in music , except that there must be fixed lengths of duration for
the ...
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abstract accent actual adequate ęsthetic analysis appears apply apprehended artists aspects attention basic basis become body called character characteristic clear clearly color complex concrete conscious constitute counts course criticism defined definitely determinate direct directly discriminating distinct distinguished division Dominant duration effect elements example exhibited experience expressive fact familiar feeling felt field formal function fundamental give given grasp grouping hence human indicated individual intelligible intensity interest intervals intrinsic involved knowledge least length less LIBRARY limited mark matter means measure merely nature notes object obvious octave once organism particular physical pitch possible present processes qualitative range relations relevant response rhythm scale scheme selected sense sensuous simply single sort sound spatial specific structure surface systematic taken temporal pattern things tion Tonic UNIVERSITY OF CALIFORNIA variations various verse vibration whole