AEsthetic AnalysisThomas, Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 18
Pagina 16
David Wight Prall. effect , but as analysed into the order of the color varia- tions . The difference between the two ... effects intended . This ordered variation , where the order is constituted by the single relation redder - than , is ...
David Wight Prall. effect , but as analysed into the order of the color varia- tions . The difference between the two ... effects intended . This ordered variation , where the order is constituted by the single relation redder - than , is ...
Pagina 162
... effect , an effect not merely recognized as pale green trees with spaces and light among them , but felt sharply as just this look and feel of light and air and color . Delicate as pale green and lavender - blue are delicate , strong ...
... effect , an effect not merely recognized as pale green trees with spaces and light among them , but felt sharply as just this look and feel of light and air and color . Delicate as pale green and lavender - blue are delicate , strong ...
Pagina 167
... effect , as we all learn to see immediately the difference be- tween a pentagon and a hexagon without stopping to count the sides . A complex pattern of polygons inscribed and circumscribed , a diamond in a tall rectangle ...
... effect , as we all learn to see immediately the difference be- tween a pentagon and a hexagon without stopping to count the sides . A complex pattern of polygons inscribed and circumscribed , a diamond in a tall rectangle ...
Altre edizioni - Visualizza tutto
Parole e frasi comuni
absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic theory apply apprehended artists asthetic attention basic Berkeley Berkeley blank verse CALIFORNIA LIBRARY called character characteristic clear clearly color variations complex concrete conscious constitute cretely criticism defined definitely degree determinate dimension directly discerned discriminating distinct distinguished Dominant duration elements English poetry exhibited experience expressive fact familiar feeling felt formal function fundamental give grasp hence human human voice iambic pentameter iambs indicated intelligible intrinsic knowledge length means Mediant merely musical scale nature notes obvious octave particular perception physical pitch intervals pitch pattern pitch relations Polyclitus present processes qualitative orders relevant rhythmical scale scheme selected sense sensory sensuous serial orders simply sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees UNIVERSITY OF CALIFORNIA vibration rate whole words