AEsthetic Analysis |
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Pagina 16
David Wight Prall. effect , but as analysed into the order of the color variations . ...
If we could not depend upon this perfectly fixed , intrinsically ordered variation in
color , we could not count on the variations to give the specific effects intended .
David Wight Prall. effect , but as analysed into the order of the color variations . ...
If we could not depend upon this perfectly fixed , intrinsically ordered variation in
color , we could not count on the variations to give the specific effects intended .
Pagina 162
And the water color gives this exciting effect , an effect not merely recognized as
pale green trees with spaces and light among them , but felt sharply as just this
look and i feel of light and air and color . Delicate as pale green and lavender ...
And the water color gives this exciting effect , an effect not merely recognized as
pale green trees with spaces and light among them , but felt sharply as just this
look and i feel of light and air and color . Delicate as pale green and lavender ...
Pagina 167
So simple a pattern as a rhythm of two against three may at first be confusing ; but
a very little practice will teach us to hear this division of a measure in two different
ways at once as a specific single rhythmical effect , as we all learn to see ...
So simple a pattern as a rhythm of two against three may at first be confusing ; but
a very little practice will teach us to hear this division of a measure in two different
ways at once as a specific single rhythmical effect , as we all learn to see ...
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abstract accent actual adequate ęsthetic analysis appears apply apprehended artists aspects attention basic basis become body called character characteristic clear clearly color complex concrete conscious constitute counts course criticism defined definitely determinate direct directly discriminating distinct distinguished division Dominant duration effect elements example exhibited experience expressive fact familiar feeling felt field formal function fundamental give given grasp grouping hence human indicated individual intelligible intensity interest intervals intrinsic involved knowledge least length less LIBRARY limited mark matter means measure merely nature notes object obvious octave once organism particular physical pitch possible present processes qualitative range relations relevant response rhythm scale scheme selected sense sensuous simply single sort sound spatial specific structure surface systematic taken temporal pattern things tion Tonic UNIVERSITY OF CALIFORNIA variations various verse vibration whole