AEsthetic Analysis |
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Risultati 1-3 di 63
Pagina 41
This means , of course , as made up of elements in relations by virtue of which
they actually come together . We see a situation as having a certain form , and we
do not need to analyse that form into elements in relations provided it is simple ...
This means , of course , as made up of elements in relations by virtue of which
they actually come together . We see a situation as having a certain form , and we
do not need to analyse that form into elements in relations provided it is simple ...
Pagina 42
The elements must lie in an order native to their very being , an order grasped by
us as constituted by a relation . We call structures intelligible and feel that we
know them in so far as we find them capable of analysis into such elements so ...
The elements must lie in an order native to their very being , an order grasped by
us as constituted by a relation . We call structures intelligible and feel that we
know them in so far as we find them capable of analysis into such elements so ...
Pagina 137
related more or less closely than any other two elements of the same sort or
equally closely . They are related palpably in virtue of an ordered aspect of their
own nature , related as two selected elements in a series , all of whose elements
lie in ...
related more or less closely than any other two elements of the same sort or
equally closely . They are related palpably in virtue of an ordered aspect of their
own nature , related as two selected elements in a series , all of whose elements
lie in ...
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abstract accent actual adequate ęsthetic analysis appears apply apprehended artists aspects attention basic basis become body called character characteristic clear clearly color complex concrete conscious constitute counts course criticism defined definitely determinate direct directly discriminating distinct distinguished division Dominant duration effect elements example exhibited experience expressive fact familiar feeling felt field formal function fundamental give given grasp grouping hence human indicated individual intelligible intensity interest intervals intrinsic involved knowledge least length less LIBRARY limited mark matter means measure merely nature notes object obvious octave once organism particular physical pitch possible present processes qualitative range relations relevant response rhythm scale scheme selected sense sensuous simply single sort sound spatial specific structure surface systematic taken temporal pattern things tion Tonic UNIVERSITY OF CALIFORNIA variations various verse vibration whole