AEsthetic AnalysisThomas, Y. Crowell, 1936 - 211 pagine |
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Risultati 1-3 di 24
Pagina 9
... emotional perception . And to any conscious perception at all some degree of emotion is requisite , if it \ is no more than the excitement of the attention that brings it to a focus . The concrete object of aesthetic perception is just ...
... emotional perception . And to any conscious perception at all some degree of emotion is requisite , if it \ is no more than the excitement of the attention that brings it to a focus . The concrete object of aesthetic perception is just ...
Pagina 19
... emotional depth or human significance . But this objection has already been answered . For the ele- ments we have so far suggested are not only sensuous but emotionally toned , and the structural relations are sensu- ous relations ...
... emotional depth or human significance . But this objection has already been answered . For the ele- ments we have so far suggested are not only sensuous but emotionally toned , and the structural relations are sensu- ous relations ...
Pagina 143
... emotional . As our response is integral to the process conditioning the world's appearance in all of its aspects , so the emotionally conditioned or conditioning aspects of our response condition its emotional character . Hence its emo ...
... emotional . As our response is integral to the process conditioning the world's appearance in all of its aspects , so the emotionally conditioned or conditioning aspects of our response condition its emotional character . Hence its emo ...
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absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic theory apply apprehended artists asthetic attention basic Berkeley Berkeley blank verse CALIFORNIA LIBRARY called character characteristic clear clearly color variations complex concrete conscious constitute cretely criticism defined definitely degree determinate dimension directly discerned discriminating distinct distinguished Dominant duration elements English poetry exhibited experience expressive fact familiar feeling felt formal function fundamental give grasp hence human human voice iambic pentameter iambs indicated intelligible intrinsic knowledge length means Mediant merely musical scale nature notes obvious octave particular perception physical pitch intervals pitch pattern pitch relations Polyclitus present processes qualitative orders relevant rhythmical scale scheme selected sense sensory sensuous serial orders simply sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees UNIVERSITY OF CALIFORNIA vibration rate whole words