AEsthetic Analysis |
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Pagina 17
Any melody is an example of the dependence of structure upon native qualitative
order in sensuous materials , a structure felt as having specific and even
nameable character , only as the qualitative relation is grasped which is seen to ...
Any melody is an example of the dependence of structure upon native qualitative
order in sensuous materials , a structure felt as having specific and even
nameable character , only as the qualitative relation is grasped which is seen to ...
Pagina 18
For any two variations in color , for example , we can find a variation half way
between , or a variation twice as far from ... for these measures of distance , the
intervals , an octave , a fifth , a third , to take examples from our own scale system
.
For any two variations in color , for example , we can find a variation half way
between , or a variation twice as far from ... for these measures of distance , the
intervals , an octave , a fifth , a third , to take examples from our own scale system
.
Pagina 47
For the present we need only emphasize the fact that we have here a basic
structural possibility , the necessary condition of melody , for example , in so far
as melody is pitch pattern made up of a succession of notes at distinguishable
intervals ...
For the present we need only emphasize the fact that we have here a basic
structural possibility , the necessary condition of melody , for example , in so far
as melody is pitch pattern made up of a succession of notes at distinguishable
intervals ...
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abstract accent actual adequate ęsthetic analysis appears apply apprehended artists aspects attention basic basis become body called character characteristic clear clearly color complex concrete conscious constitute counts course criticism defined definitely determinate direct directly discriminating distinct distinguished division Dominant duration effect elements example exhibited experience expressive fact familiar feeling felt field formal function fundamental give given grasp grouping hence human indicated individual intelligible intensity interest intervals intrinsic involved knowledge least length less LIBRARY limited mark matter means measure merely nature notes object obvious octave once organism particular physical pitch possible present processes qualitative range relations relevant response rhythm scale scheme selected sense sensuous simply single sort sound spatial specific structure surface systematic taken temporal pattern things tion Tonic UNIVERSITY OF CALIFORNIA variations various verse vibration whole